Select your language

Motive aus Indien - Motives from India

Set in Stone: Gems and Stones from Royal Indian Courts - Set in Stone: Gems and Stones from Royal Indian Courts Palast der Winde, Jaipur - Jaipur, Rajasthan Takht-e-rawaan - City Palace, Jaipur Set in Stone: Gems and Stones from Royal Indian Courts - Set in Stone: Gems and Stones from Royal Indian Courts Chandigarh - Chandigarh, Punjab and Haryana Shimla , Hill Station - Shimla, Hill Station, Himachal Pradesh Jali with elaborated tree motif - Ahmedabad, Gujarat 
Amer, Shri Jagat Shiromani ji Temple - Jali Jantar Mantar, Jaipur - Jantar Mantar, Jaipur Salar Jang Museum, Hyderabad, India - Salar Jung Museum, Hyderabad Sun Temple, Modhera, Gujarat  - Sun Temple of Modhera Am Strand von Juhu, Mumbai / Bombay - Mumbai / Bombay, Maharashtra Nataraja - the Lord of the Dance - Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Museum Jaipur, City Palace Museum - Jaipur, Rajasthan Sun Temple, Modhera, Gujarat  - Sun Temple of Modhera

Cart

Article Abendzeitung 13 June 1972: Archive K. Otto-Dorn/Das Bild des Orients, Berlin

Rudolf Belling (1896 - 1972)

Among the specialist books in the estate of Katharina Otto-Dorn (1908-1999) were two catalogs and three newspaper clippings by Rudolf Belling, one of the most important sculptors of the 20th century, who – ostracized by the Nazis – emigrated to Istanbul in 1937. A dedication in the catalog for a 1956 exhibition at the Ernst Osthaus Museum in Hagen suggested that Katharina Otto-Dorn and Rudolf Belling knew each other and presumably even met.

This was confirmed by Elisabeth Weber-Belling, Rudolf Belling's daughter. She still vividly remembers Katharina Otto-Dorn's numerous visits to her father's apartment in Istanbul between 1935 and 1944, when K. Otto-Dorn was working and researching at the DAI in Istanbul. Rudolf Belling established a "Jour Fix" there every Wednesday, where colleagues and friends met for conversation, informal lectures, and discussions. K. Otto-Dorn was a welcome guest and frequently reported on her current research. Later, when she taught Islamic Art History at the University of Ankara from 1954 to 1966/67, there were also meetings (albeit less frequently).

Relatively little is known or published about Rudolf Belling's Turkish period. Elizabeth Weber-Belling is currently preparing a comprehensive biography of her father, which also covers the "Turkish period" in more detail.